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24×18” acrylic and acrylic on paper adhered to canvas, 2025.
Reminiscent of the notorious Tower Card in the Major Arcana of the Ryder Waite Smith tarot deck, this piece nods to the complicated, frayed, sad, inspiring, and depressing parts that accompany abrupt, especially nonconsensual, transformation. It originated as an effort to process my grief related to the LA fires (the subsequent loss of the largest theosophical library in the world as well as all the art/artist homes/studios) and the grief the Goddess must feel as well. That library was how we found ways back to Her. All the loss from those fires was and is heartbreaking, but the library struck deep cords for me. This piece could very well still be in process and I may update it over time. It feels so unfinished to me. But also too busy. But also perfect and gross. Similar to nature’s slow but reliable reprocessing and overtaking of humanity’s scaffolding. Slowly, the spiral spirals on.
24×18” acrylic and acrylic on paper adhered to canvas, 2025.
Reminiscent of the notorious Tower Card in the Major Arcana of the Ryder Waite Smith tarot deck, this piece nods to the complicated, frayed, sad, inspiring, and depressing parts that accompany abrupt, especially nonconsensual, transformation. It originated as an effort to process my grief related to the LA fires (the subsequent loss of the largest theosophical library in the world as well as all the art/artist homes/studios) and the grief the Goddess must feel as well. That library was how we found ways back to Her. All the loss from those fires was and is heartbreaking, but the library struck deep cords for me. This piece could very well still be in process and I may update it over time. It feels so unfinished to me. But also too busy. But also perfect and gross. Similar to nature’s slow but reliable reprocessing and overtaking of humanity’s scaffolding. Slowly, the spiral spirals on.